2016 marks the monumental return of one of heavy rock’s most unique, revered and fearless bands of the last three decades, OPETH. Over the years, the experimental, prog veterans have continuously reinvented themselves, pushing the boundaries of their craft and expectations of fans and critics alike. Today, OPETH announced their 12th album, Sorceress, will be released on September 30th and have unveiled the artwork and tracklist for their imminent masterpiece.
OPETH’s new album, Sorceress, their first for Nuclear Blast via the band’s imprint label Moderbolaget Records, is proof chief architect Mikael Åkerfeldt has a near-endless well of greatness inside. From the album’s opener “Persephone” to “The Wilde Flowers” and “Strange Brew” to the album’s counterpart title tracks “Sorceress” and “Sorceress II”, OPETH’s twelfth full-length is an unparalleled adventure, where visions cleverly and secretly change, colors mute as if weathered by time, and sounds challenge profoundly.
”The new album Sorceress is our 12th studio album since our beginnings in 1990,” says Åkerfeldt. “I find it difficult to understand that we’ve been going on for 26 years, let alone that we’ve made 12 records now, all of which I am very proud of. Sorceress is no exception. I love this album, as does the whole band. I wrote the music during 5-6 months and we spent only 12 days recording it at Rockfield studios in Wales. I find that once again we’ve taken a step forward. Or sideways, Or backwards. Somewhere!? It’s different! It’s extremely diverse. And if I may say so myself, extremely good. I feel the right to say that since I like to think I know this band better than anyone on the planet. Also, I always manage to detach myself from the record and listen as a fan. It’s a fine little record. My favorite in our discography right now. Of course. That’s how it should be, right? It’s both fresh and old, both progressive and rehashed. Heavy and calm. Just the way we like it. Hopefully there’ll be others around the globe sharing this opinion. It was a joy to make it. A fucking joy to record it, and a sheer joy listening to it. So there you have it!”
For Sorceress, OPETH returned to Rockfield Studios in Wales, also home to pivotal releases from Queen, Rush and Judas Priest, where the Swedes had tracked Pale Communion in 2014 with Tom Dalgety. The band spent 12 days recording at the countryside venue among its serene and inspiring surroundings. The result is nothing short of a powerful and intriguing record that will add yet another layer to the band’s celebrated career.
3. The Wilde Flowers
4. Will O The Wisp
6. Sorceress 2
7. The Seventh Sojourn
8. Strange Brew
9. A Fleeting Glance
11. Persephone (Slight Return)
His shots have graced many Rock at Night articles, as part of his press and photo coverage for music events throughout the US and big music festivals like Cruise to the Edge 2015, RosFest 2016, Morsefest 2016 and Progpower 2016 to name a few. His work has been also featured in the prestigious UK magazine Prog.
Latest posts by Joel Barrios (see all)
- Rhapsody Of Fire – Legendary Years: A new take into a collection of some of the best symphonic metal songs ever written - June 5, 2017
- Great White – Full Circle: A sweet, raw and signature blues-hued sounding album that will please old and new fans - June 2, 2017
- Marty Friedman premieres new song from upcoming album “Wall of Sound” due next August 4th via Prosthetic Records - June 2, 2017