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Cannibal Corpse reveals details for new album, ‘Red Before Black’, launches new video

On November 3rd, Cannibal Corpse will release their 14th full-length, Red Before Black, via Metal Blade Records. Many words come to mind when you hear the name Cannibal Corpse, but one truly defines the soon-to-be thirty-year death metal veterans: Unstoppable. Produced by Erik Rutan (Hate Eternal, Goatwhore), Red Before Black serves to not only reiterate this but to once more raise the stakes, making it very clear who sets the standard when it comes to always compelling music that is equally brutal and complex. Moreover, the band have pushed themselves again, ensuring that it stands out from their catalog. “Throughout our career we’ve tried to improve the precision of both our musical execution and our album production, while still maintaining full-on aggression. ‘Red Before Black‘ continues in that direction, but might go even further on the aggressive side of things. It’s definitely precise, but it has a rawness to it that goes beyond anything we’ve done recently,” asserts bassist Alex Webster. “We really worked super hard crafting these songs, practicing them, and getting them where we wanted to be more so than on any of our previous albums,” adds drummer Paul Mazurkiewicz. “And as Alex said, musically I think it’s the most raw sound we’ve had – and at the same time I think it’s our most focused, tightest and catchiest record.”

For a first preview of Red Before Black, the band has launched a video for the single, “Code of the Slashers”. Directed by Zev Deans (panoramaprogramming.com – who created videos for Behemoth‘s “Messe Noire”, Ghost‘s “Square Hammer”, Portal‘s “Curtain”), “Code of the Slashers” can be viewed below.

The record can be pre-ordered at the Metal Blade online store located here, in the following formats:

  • Digipak CD (US exclusive)
  • Limited edition 2CD digipak (EU exclusive)
  • Jewelcase CD (EU exclusive)
  • Opaque red vinyl (USA exclusive – limited to 700 copies)
  • Coke bottle clear vinyl (USA exclusive – limited to 500 copies)
  • White vinyl (FYE exclusive – limited to 300 copies)
  • Transparent red / clear split vinyl (USA exclusive – limited to 500 copies)
  • Translucent blue vinyl (Hells Headbangers exclusive – limited to 300 copies)
  • 180g black vinyl (EU exclusive)
  • Olive green marbled vinyl (EU exclusive – limited to 500 copies)
  • Blood red / black marbled vinyl (EU exclusive – limited to 300 copies)
  • Blood red / white splattered vinyl (EMP exclusive – limited to 200 copies)
  • White / red splattered vinyl (Ebay exclusive – limited to 200 copies)
  • Opaque wine red marbled vinyl (Napalm exclusive – limited to 200 copies)
  • Box-set (limited to 1500 copies): limited edition 2CD digipak, ‘Blood Covered’ white / red marble vinyl, cassette, back patch, sweat band, guitar picks, and poster in a black cardboard box (~12.5″ x 12.5″ x 1.25″)

Zev Deans comments: “After crawling through abandoned buildings, crashing our van into a tree in the middle of a scene, witnessing a real stabbing and drenching ourselves in fake blood in a derelict park at 5am, we can safely say this was a proper introduction to the slasher genre for Panorama Programming. We brought a slab of fresh meat back from a rotting metropolis, and we’re serving it to you raw. Come and get it.”

Red Before Black track-listing
1. Only One Will Die
2. Red Before Black
3. Code of the Slashers
4. Shedding My Human Skin
5. Remaimed
6. Firestorm Vengeance
7. Heads Shoveled Off
8. Corpus Delicti
9. Scavenger Consuming Death
10. In the Midst of Ruin
11. Destroyed Without a Trace
12. Hideous Ichor

In support of Red Before Black, Cannibal Corpse will first head out on a USA tour in November/December with Power Trip and Gatecreeper, before heading overseas in early 2018 for a European trek with The Black Dahlia Murder, No Return, and In Arkadia. See below for all dates.

Cannibal Corpse tour dates
w/ Power Trip, Gatecreeper

Nov. 3 – Jacksonville, FL – Mavericks
Nov. 4 – Pensacola, FL – Vinyl Music Hall
Nov. 5 – Birmingham, AL – Saturn
Nov. 6 – Memphis, TN – New Daisy Theater
Nov. 8 – Dallas, TX – Trees
Nov. 9 – Houston, TX – White Oak
Nov. 10 – Austin, TX – Sound on Sound Festival
Nov. 12 – Phoenix, AZ – Club Red
Nov. 13 – Santa Ana, CA – The Observatory
Nov. 14 – San Francisco, CA – Slims
Nov. 15 – San Francisco, CA – Slims
Nov. 17 – Seattle, WA – Neumos
Nov. 18 – Portland, OR – Hawthorne Theater
Nov. 19 – Boise, ID – Knitting Factory
Nov. 20 – Salt Lake City, UT – The Complex
Nov. 22 – Denver, CO – Summit
Nov. 24 – Chicago, IL – Thalia Hall
Nov. 25 – Detroit, MI – St. Andrews Hall
Nov. 26 – Cleveland, OH – Agora Ballroom
Nov. 28 – Boston, MA – Royale
Nov. 29 – New York, NY – Stage 48
Nov. 30 – Philadelphia, PA – TLA
Dec. 1 – Richmond, VA – Broadberry
Dec. 2 – Wilmington, NC – The Throne Theater
Dec. 3 – Greensboro, NC – Pete’s
Dec. 5 – Louisville, KY – Mercury Ballroom
Dec. 6 – Nashville, TN – Exit/In
Dec. 7 – Atlanta, GA – Masquerade
Dec. 8 – Tampa, FL – The Orpheum

Cannibal Corpse tour dates
w/ The Black Dahlia Murder, No Return (Feb. 9-25), In Arkadia (Feb. 27-Mar. 18)

Feb. 9 – Hannover, Germany – Musikzentrum
Feb. 10 – Copenhagen, Denmark – Vega
Feb. 11 – Gothenburg, Sweden – Sticky Fingers
Feb. 12 – Stockholm, Sweden – Klubben
Feb. 13 – Oslo, Norway – Parkteatret
Feb. 15 – Kolding, Denmark – Godset
Feb. 16 – Hamburg, Germany – Gruenspan
Feb. 17 – Geiselwind, Germany – Music Hall
Feb. 18 – Bochum, Germany – Matrix
Feb. 20 – Kassel, Germany – 130bpm
Feb. 21 – Prague, Czech Republic – Palac Aropolis
Feb. 22 – Bratislava, Slovakia – Majestic Music Club
Feb. 23 – Munich, Germany – Backstage
Feb. 24 – Magdeburg, Germany – Factory
Feb. 25 – Stuttgart, Germany – im Wizemann
Feb. 27 – Geneva, Switzerland – L’Usine
Feb. 28 – Milan, Italy – Live Club
Mar. 1 – Grenoble, France – Belle Electric
Mar. 2 – Toulouse, France – Le Metronum
Mar. 3 – Bilbao, Spain – Santana 27
Mar. 4 – Madrid, Spain – Penelope
Mar. 6 – Barcelona, Spain – Razzmatazz 2
Mar. 7 – St. Etienne, France – Le Fil
Mar. 8 – Caen, France – Cargo
Mar. 9 – Antwerp, Belgium – Trix
Mar. 10 – Cologne, Germany – Essigfabrik
Mar. 11 – Eindhoven, Netherlands – Dynamo
Mar. 13 – Norwich, UK – Waterfront
Mar. 14 – Manchester, UK – O2 Ritz
Mar. 15 – Glasgow, UK – O2 ABC
Mar. 16 – Bristol, UK – Bierkeller
Mar. 17 – Nottingham, UK – Rock City
Mar. 18 – London, UK – O2 Forum Kentish Town
Mar. 19 – Dublin, Ireland – Tivoli*
Mar. 20 – Limerick, Ireland – Dolan’s Warehouse*
Mar. 22 – Belfast, Ireland – Limelight 2*
*= no The Black Dahlia Murder

Cannibal Corpse online:
http://cannibalcorpse.net
https://www.facebook.com/cannibalcorpse
https://twitter.com/CorpseOfficial
https://www.youtube.com/user/cannibalcorpse

Joel Barrios

My name is Joel Barrios. I'm a Miami-based freelance multidisciplinary designer and professional photographer, born some decades ago in the mysterious and beautiful island of Cuba. For me web-programming, graphic design and photography are just way of life. It's not a job but a passion that you grow with every day. Despite I studied software development, I've been a self-taught designer and photographer for most of my life, and dabbling with code and digital manipulation software have become my natural element. I enjoy many other types of photography, but my passion for music has driven me into concert photojournalism. I strive at capturing the moments you might have missed even if you were at the show, I want my photographs to help you to relive the moment or to make you feel like you were there part of the audience.

I have a big family, my happy team: my wife, four daughters and two cats.
About Joel Barrios (92 Articles)
My name is Joel Barrios. I'm a Miami-based freelance multidisciplinary designer and professional photographer, born some decades ago in the mysterious and beautiful island of Cuba. For me web-programming, graphic design and photography are just way of life. It's not a job but a passion that you grow with every day. Despite I studied software development, I've been a self-taught designer and photographer for most of my life, and dabbling with code and digital manipulation software have become my natural element. I enjoy many other types of photography, but my passion for music has driven me into concert photojournalism. I strive at capturing the moments you might have missed even if you were at the show, I want my photographs to help you to relive the moment or to make you feel like you were there part of the audience. I have a big family, my happy team: my wife, four daughters and two cats.

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