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Album Review: John Prine’s ‘The Tree of Forgiveness’

By Gail Reynolds, Rock At Night Columnist

Album Review:John Prine’s The Tree of Forgiveness-Release date April 13, 2018–Oh Boy Records

With the release of The Tree of Forgiveness, John Prine made his fans ecstatic for so many reasons. Not only is this his first album of original material in over ten years, it proves worth the wait. Unlike so many legendary singer songwriters who lose their creative chops later in their careers, he still makes musical magic as reflected by this album’s # 5 rank on the Billboard top 200 chart in its first week and his three GRAMMY nominations: Best Americana Album, Best American Roots Song for “Summers End” and Best American Roots Song for “Knocking On Your Screen Door.”

Not one of the ten songs on the The Tree of Forgiveness is a derivative re-tooling of past successes; yet, the unmistakable Prine style is evident. One constant is his humanity, delivered sometimes with wry humor and other times with poignancy.

His insight and sensitivity was astounding for a man just in his twenties when he identified with “an old woman named after my mother” and the isolation of old age with “Hello In There.” Now The Tree of Forgiveness reflects on vulnerability and mortality more personally. A survivor of two cancers that ravaged his throat, he utilizes his rasp like a new-found instrument. “When I Get to Heaven” rejoices in the prospect of indulging in the old vices.

Gonna have a cocktail

Vodka and ginger ale

Gonna smoke a cigarette that’s nine miles long.

He also pledges

As God is my witness

I’m getting back into show business

And open a night club called The Tree of Forgiveness

And forgive everybody ever done me any harm Well, I might even invite a few choice critics

Those syph’litic parasitics

Buy ’em a pint and smother ’em with my charm.

Yet, in the same song he looks forward to seeing his extended family he so misses, “because that’s where all the love starts.”

The darkest cut– in more than one sense!– on the The Tree of Forgiveness is “Caravan of Fools” describing in lugubrious minor tones “The dark and distant drumming / The pounding of the hooves / The silence of everything that moves.”

For the most part, his empathy is intact even extending to the humiliation Pluto suffered as a demoted planet.

Poor old planet Pluto now

He never stood a chance no how

When he got uninvited to / The interplanetary dance

Once a mighty planet there / Now just an ordinary star

Hangin’ out in Hollywood / In some ol’ funky sushi bar.

One of the times I saw him in the ‘90s, around the release of Lost Dogs and Mixed Blessings, the woman behind me exuberantly shouted out “You are a gifted artist!” That sums it up. And he remains so, which is why I hope he earns several GRAMMY awards this Sunday, not for longevity or overall achievement but for specifically creating The Tree of Forgiveness, his latest gem.

 

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Gail Reynolds

ROCK AT NIGHT COLUMNIST

I love music and I love to write, so Rock at Night is a perfect forum for me.I appreciate all genres from classical to country and am astounded by the number of extraordinarily talented but under-recognizedmusical artists. So my articles often feature such “well known unknown” musicians and composers.

Before email, I would include a record review along with my holiday greetings as an alternative to annual reports of personal achievements and acquisitions. Among these, I wrote of Leonard Cohen’s I’m Your Man in 1988 and Bruce Cockburn’s Nothing But A Burning Light in 1991, urging my friends and family to listen to these masterpieces.

Now I can continue to express my enthusiasm for various musical artists to a wider audience.
About Gail Reynolds (23 Articles)
ROCK AT NIGHT COLUMNIST I love music and I love to write, so Rock at Night is a perfect forum for me. I appreciate all genres from classical to country and am astounded by the number of extraordinarily talented but under-recognized musical artists. So my articles often feature such “well known unknown” musicians and composers. Before email, I would include a record review along with my holiday greetings as an alternative to annual reports of personal achievements and acquisitions. Among these, I wrote of Leonard Cohen’s I’m Your Man in 1988 and Bruce Cockburn’s Nothing But A Burning Light in 1991, urging my friends and family to listen to these masterpieces. Now I can continue to express my enthusiasm for various musical artists to a wider audience.

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