Ladell McLin discusses his musical influences; growing up on the south side of Chicago; the blues scene in America; Nelson Mandela and the blues in the civil rights movement; President Donald Trump; and he played a blues song (22:22).
[Continued]The Glam Skanks discuss their awesome fashion sense, where and when they purchase their stage outfits and makeup, their musical backgrounds, and what bands influenced them the most
[Continued]Alexander Krull of Leaves' Eyes discusses the band’s new life with frontwoman Elina Siirala, the new EP "Fires in the North", next year’s North American tour with Sabaton, and their upcoming new album.
[Continued]Stevie Westwood of Bad Touch discusses the new album "Truth Be Told", the influences of the band; and the upcoming tour.
[Continued]James Hunt of RÜFÜS discusses the band's current US tour, festival gigs in New Zealand and the US over New Year, the Australian regional tour, and their nomination for 5 ARIA awards.
[Continued]Vernon Neilly discusses his Latin-influenced hip-hop brand of music (he was born in Bahamas and reared in South Florida) ; his new release "Outta Time"; taking classic Stevie Wonder or Jimi Hendrix tunes and putting his own spin on them; collaborating with talented musicians like Greg Howe; the changes he has observed in music industry in the Millennium; his mutual love and devotion to fans in South America, like Brazil and Argentina; and the South American culture versus American regarding music.
[Continued]Val Loper of Bear Hands discusses their upcoming tour; the band's new album "You'll Pay For This"; shares some of the creative process behind the making of their new album; maturing as a band; and more.
[Continued]Killian Gavin from Australia’s indie band, Boy & Bear discusses their up-coming Australian regional tour ‘Limit of Love’; the towns where they will be playing; touring experiences; the up-coming North American Tour; the differences between playing festivals, big city concerts, regional gigs & overseas tours; and reflects on their first single ‘Mexican Mavis’.
[Continued]
